Nebraska
Earthwork constructed during a six-week residency at Art Farm in central Nebraska. Excavated entirely by hand
Point of Contact
A cast iron form and electric current combine to create a powerful electromagnet. Suspended above its magnetic base, the upper form is free to wobble and rotate, yet remains held in place
Stamford
The Stamford project was commissioned by the Stamford Museum and Nature Center
Frame of View
A large outdoor pavilion organized around a large interior volume. A narrow vertical entry expands into an elevated panoramic chamber.
Tillinghast Farm
An underground hallway excavated beneath an open field. Visitors followed a narrow sand-floored passage terminating in an eight-foot-tall tank of water, where a figure floated behind a circular porthole.
Hollow Ground
Initially imagined in a dream, Hallowed Ground consists of a fiddle player situated within a hand-dug earthen room.
Suspended Isolation
An exploration of describing a simple form through its absence. The project defines a curved volume by suspending a network of chords tangent to its outer surface, allowing the geometry to emerge through accumulated lines rather than solid mass.
Although realized only as a scale model, the work would not have been possible without the assistance of Ryan Welch.
West-East Divan Orchestra Hall
YSOA Advanced Studio
Critic: Frank Gehry
Material studies exploring form and connections
Wood Wedge Studies
A series of tetrahedral forms carved from a fallen sugar maple tree
Kolonihavehus
Developed in collaboration with artist Tom Fruin and CoreAct, Kolonihavehus is an ongoing project that began in 2011. The work was fabricated at the Danish State Workshops for Art and Craft in Copenhagen.